Category

Nocturne in e op 62 no 2

Your belief in the power of music to heal and transform makes our work possible. Whereas Bach was the magnificent culmination of the Baroque period, Frederic Chopin landed very near the beginning of the century-long Romantic period, anointed to shed a golden glow on an era that arguably began with late Beethoven, or with Carl Maria von Weber, regarded as the founder of German Romantic opera, take your pick. Just as the elegant and tasteful Classical tradition crowned by Haydn and Mozart arose in opposition to what were considered the excesses of the Baroque, so the early Romantics Schubert, Schumann, Weber, Chopin, Mendelssohn, Berlioz argued against the cool objectivity of their predecessors by championing the expression of the self in all of its myriad shapes and forms. In fostering subjectivity, the Romantics explored new harmonic realms and tonal relationships, and in speaking directly from the heart they had to devise new forms in which to contain these highly individual creative messages. All of the early Romantics were purveyors of the character piece or the piano miniature. In this area Chopin had no peers. The Nocturnes, 19 in all, are a special species in the Chopin canon, for in sighing soulfulness and ephemeral expressiveness most of them represent the composer at his most intimate. The Dublin-born Field was a pianist of wide acclaim throughout Europe. A student of Muzio Clementi and an employee in his piano shop, Field composed voluminously, with, among other pieces to his credit, eight piano concertos and 17 Nocturnes, the first three appearing in , when Chopin was four. Most authors of books on Chopin are loath to acknowledge any influence by the Irish composer on the Polish master, but one writer, David Branson, undertook to do an entire book on the subject John Field and Chopin , St.
amateur bbw pictures
ethiopian addiszefen mp3
lobster trap clip gun
women pussy big cook
wow wow wubbzy
coco austin anal sexmature nl dildo

Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. Piano solo written in Read more Read less. Kindle Cloud Reader Read instantly in your browser. Tell the Publisher! I'd like to read this book on Kindle Don't have a Kindle? Customer reviews. How are ratings calculated?
nicole charming post op

Genre: Nocturne. Nocturnes Op. The melody of the second of the Nocturnes from , in the key of E major, proceeds lento sostenuto — slowly and with a stifled voice. It stifles the emotions here, which are present beneath the ostensibly calm declamation, wending its way over accompaniment chords measured out with demureness and implacable consistency. The narrative emerges from silence and returns to silence, after relishing a plenitude of sound. The strength of emotion is articulated by the expression of the melody which complements the initial idea. The hitherto pent-up emotions are given their head in the middle section of the Nocturne. Chopin has this music — restless, even convulsively tense — played forte and agitato , and so like nervous speech. The agitation soon subsides, however, giving way to the principal melody. This comes about in a wondrously beautiful way: the melody returns with greater calm and poise than before the eruption of that inner storm — absent, aloof.
fun popular songs

Your belief in the power of music to heal and transform makes our work possible. Whereas Bach was the magnificent culmination of the Baroque period, Frederic Chopin landed very near the beginning of the century-long Romantic period, anointed to shed a golden glow on an era that arguably began with late Beethoven, or with Carl Maria von Weber, regarded as the founder of German Romantic opera, take your pick.

Just as the elegant and tasteful Classical tradition crowned by Haydn and Mozart arose in opposition to what were considered the excesses of the Baroque, so the early Romantics Schubert, Schumann, Weber, Chopin, Mendelssohn, Berlioz argued against the cool objectivity of their predecessors by championing the expression of the self in all of its myriad shapes and forms.

In fostering subjectivity, the Romantics explored new harmonic realms and tonal relationships, and in speaking directly from the heart they had to devise new forms in which to contain these highly individual creative messages. All of the early Romantics were purveyors of the character piece or the piano miniature. In this area Chopin had no peers. The Nocturnes, 19 in all, are a special species in the Chopin canon, for in sighing soulfulness and ephemeral expressiveness most of them represent the composer at his most intimate.

The Dublin-born Field was a pianist of wide acclaim throughout Europe. A student of Muzio Clementi and an employee in his piano shop, Field composed voluminously, with, among other pieces to his credit, eight piano concertos and 17 Nocturnes, the first three appearing in , when Chopin was four. Most authors of books on Chopin are loath to acknowledge any influence by the Irish composer on the Polish master, but one writer, David Branson, undertook to do an entire book on the subject John Field and Chopin , St.

Chopin took the essentials of the nocturne nature and intensified them a thousandfold. His piano style fully exploited the singing quality of the instrument and embodied a whole world of sonorities resulting essentially from unique wide-spread figures that accompanied long-breathed melodies and the fanciful, exquisite filigree that ornamented them. Also, his use of the sustaining pedal greatly amplified the distinctive sonority he sought, just as the alternate slowing down and acceleration of tempo rubato he employed contributed enormously to a poetic ambiance.

On the level of sheer music apart from pianistics, Chopin introduced into his harmonic structure the element of chromaticism that guided virtually all composers who came after him. Chopin indications of a change in form that may in the future exercise considerable influence on this branch of art.

An early Nocturne was published posthumously. It strikes a happy balance formally and temperamentally, having a main section that has a lovely, easy-flowing melody complete with some flying filigree, all of this held fast by a rather static chordal accompaniment. A contrasting section that follows, call it part B, begins with the left hand breaking free with rapidly-moving notes that continue as important companions to a new melody.

This moves directly into the crux of the matter, a wonderfully agitated, somewhat syncopated section whose restlessness provides high expressive contrast with the poised main theme, which returns, shortened, to be followed by part B. As Chopin so often did, he ends here with a drooping two measure epilogue that may seem to some extraneous. But, who wants to second-guess Chopin? Orrin Howard, who annotated Los Angeles Philharmonic programs for more than 20 years while serving as Director of Publications and Archives, continues to contribute to the Philharmonic program book.

All Rights Reserved. Privacy Policy. Nocturne in E, Op. About this Piece. This site uses cookies to offer you the best possible experience. For details on how we use cookies, see our Privacy Policy.



113 :: 114 :: 115 :: 116 :: 117 :: 118 :: 119
Comments
  • Vurn9 days agoI congratulate, what necessary words..., a brilliant ideaCustomer reviews
Comments
  • Mesho24 days agoParaphrase please the messageAbout this Piece
Comments
  • Zulutaxe5 days agoWhat charming questionProduct details
Comments
  • Vibei1 days agoI am assured. Write to me in PM, we will talk.Navigation menu I think, that you are not right. I suggest it to discuss.
Comments
  • Yozshum1 days agoIt agree, it is the remarkable information
Comments
  • Tausho6 days agoIt is remarkable, very useful phrase
Comments
  • Motaur11 days agoIt is removed (has mixed topic)